This week at Brush-Paper-Water...

White Orchids, 20" x 14"
watercolor
Genie Even

Genie Even and I first crossed paths here in the San Francisco Bay area a few years after we both went back to watercolor. I stopped in to see her work at the annual Open Studios and was astonished at the exquisite details and the clarity of her paintings. We both became active in the local watercolor society and participated in numerous exhibitions over the years. Genie's work always raised the bar for everyone else in the organization, so I was very sorry to see her move away. It's been a pleasure to see her work in the various national shows and know that she continues to get recognition for her wonderful work.

Please pop over to Brush-Paper-Water to see more of Genie's paintings and for a link to her blog.

Challenge #5...

Dia de los Muertos, 12" x 12"
watercolor
Chris Beck

Morty, 11" x 9"
watercolor
Pablo Villicana Lara

It's been a while since Pablo and I shared a challenge. Between our summer schedules and my father's declining health and recent death, it was tough to find the time. This past week, we both *made* the time for this challenge.

The Mexican holiday Dia de los Muertos (Day of the Dead) has fascinated me for years and, like Pablo, I've wanted to do a painting on this theme for a long time. For me, the timing on this was meaningful -- the idea of celebrating death as another part of life is not one that most people in the U.S. are raised with. The joyful way of remembering loved ones during this holiday and the profusion of colorful and even humorous images is refreshing and delightful.

Typically, families create altars for departed loved ones featuring favorite foods and things that represent them. Candles are lighted in memory of the departed and fragrant flowers are placed on the altar. Pablo's painting features an angel holding up a statue of the Virgin of Guadalupe and also the roses that were a favorite of his grandmother's, although the painting is an homage to all of his loved ones.

I've combined a fun fabric (a Museo Mundo design from Andover Fabrics based on the tradition of lively, happy skeletons) with a vase of marigolds, a traditional flower of the holiday. Together they represent memories I have of family and dear friends who have passed on.

Ready, set, paint...

I started work yesterday on a new painting that I hope to finish by the weekend for my latest challenge with Pablo. Due to the upheaval in my personal life, I haven't been getting much studio time in lately and my palette has been sitting untouched for longer than I'd like to admit. However, some years ago I discovered a great way to store my palette, so when I opened it up this afternoon, it was in perfect condition and ready to use. Here's the scoop:


I wouldn't dream of discarding paint after each painting session -- it's too expensive -- and this method of storage keeps it fresh and workable. I fill the wells in the palette at least half full or even a little more, then spray the paint lightly with distilled water and stir each one (with a toothpick) to spread it out in the well. I cover the palette (cover not shown here) when I'm not actively painting and I spray the paints with distilled water if they start drying out while I'm painting, and also before I cover my palette and put it away at the end of a painting session. When I pull it out to paint the next time, I stir any of the paints that appear to have separated, but generally don't have to spend much time on that.


The secret to this success is a Masterson Artist Palette Seal. Before I found this solution for paint storage, I used to keep my palette in a large plastic zipper bag. It was helpful, but a bit bulky since the bag was much larger than the palette. Still, by providing an extra barrier, it helped keep the paint moist.

I prefer my old Creative Mark palette over all the others I've tried, so I modified the Masterson box by slicing off the posts, as you can see in the small inset photo. With that adjustment, you can store any palette up to 12" x 16" x 1" in the Masterson box. (Although the working area of most watercolor palettes is 12" x 16," the edges of some palettes make them just a bit too large for the storage box. Measure your palette carefully if you're thinking of trying this setup.)

If you have a favorite way of keeping your palette ready to go, please share that in the comments.

Happy painting!!

Kreativ Blogger Award for Brush-Paper-Water

Paul Kasmir has very generously bestowed the Kreativ Blogger Award on me for my watercolor showcase blog -- Brush-Paper-Water -- but because I restrict that blog to features on other artists, I am going to accept it over here. This has been a great week for that blog in other respects as well -- it's now had more than 11,000 visits and the number of subscribers increases each week. On top of that, I discovered that Technorati ranks it as one of the top 100 art blogs. So thanks, Paul, for your enthusiasm and your vote of confidence for my efforts.

One of the conditions of the award is to list seven things about yourself, and also pass the award along. I'm going to reveal those seven factoids in a second, but instead of limiting myself to only seven bloggers, I'm going to suggest you visit all the fabulous blogs on my blogroll. I have a great collection of incredible artists on that list and you won't be disappointed!!

Now, on to those little details you've all been waiting for...

1. I love the smell of Winsor-Newton's watercolor paint Rose Madder Genuine. Even during the years I wasn't painting, I kept an old tube of it around for an occasional sniff. Very benign!! No need to call the DEA, folks!!

2. I love the name and the color -- Chartreuse.

3. When I was a child, I used only red crayons for several years. I suppose mental health professionals would have their take on this, but I'm quite sure it was because I was so enamored of the intense red tulips in my Grandmother's garden.

4. Godzilla and the Michelin Man are engaged in a perennial face-off in my studio. Oh, Godzilla thinks he's tough, but the Michelin Man just puts his hands on his hips, puffs out his chest, and stares Godzilla down. HA!!

5. When I was at my parents' home a few weeks ago, I found the Christmas exchange gift I got in 4th grade!! I don't think we coined the word "packrat" but we certainly tried our best to live up to it!!

6. I went to the site of the Haunted House that we used to visit when I was a teenager -- a moonless night was guaranteed to be scary. It's now a county park and nothing of the house remains these days. Sigh.

7. But I did see lots of fairy rings at that park. Contrary to superstitions held worldwide in the past, fairy rings have no supernatural source -- unless you regard fungi as alien creatures!! Fairy rings are simply circles of mushrooms which grow ever larger as the center of the ring becomes unable to sustain them due to loss of nutrients or changes in the soil chemistry.

This week at Brush-Paper-Water...

Sunlit Afternoon, 30" x 22"
watercolor
Jeannie Vodden

Jeannie Vodden was recommended to me by a longtime art friend whose judgment on matters of art has always been reliable. As I looked at Jeannie's website the first time, I knew that my friend had chosen wisely once again. Jeannie's love of textures is beautifully integrated into her wonderful paintings, whether figurative or still-life, and her work presents a strong impression of the magic she finds in our daily lives.

Please buzz over to Brush-Paper-Water for a look at more of Jeannie's work.

This week at Brush-Paper-Water...

I'm taking a short break from the watercolor showcase as our family gathers to remember my father. Look for a new feature in two weeks.

A full life...

Ken Beck, 1921 - 2009

My favorite photo of my Dad is this one taken in about 1934. He's wearing his Lucky Lindy helmet, a style popularized after Charles Lindbergh made his historic trans-Atlantic flight. His direct gaze is representative of how he lived his life.

Dad passed away Saturday after battling cancer for many years. He lived a full life – one filled with hard work and dedication to his family and friends. A gifted woodworker, he generously donated his skills to help family and friends over the years. He was also a handyman extraordinaire who always found ways to improve his surroundings. And he had a silly streak that made him very fond of wordplay, goofy songs, Wily Coyote cartoons and Seinfeld. I'm going to miss him.

This week at Brush-Paper-Water...

Grand Canyon – Cache Creek, 14" x 18"
gouache over acrylic
Kay Duffy

Kay Duffy is another longtime art acquaintance whose energy and love of experimenting with new materials and techniques keeps her art lively and fresh. She is well-known for her traditional transparent watercolors of plum and cherry trees during their ethereal spring bloom (once a common feature in the local landscape and a signature of the Santa Clara Valley), but she is equally at home creating innovative collages and painting landscapes of her travels to places such as the Grand Canyon and Yosemite.

Please visit Brush-Paper-Water to see more of Kay's work.

All in good time...

Snail Mail, 6" x 6"
watercolor
Chris Beck

I just got word that my painting, Snail Mail, has won an award in an international competition. I can't say any more about it now, but I'll let you know when it goes public. This painting came about when Pablo Villicana Lara and I were invited to join a challenge posed by Jelaine Faunce and M. Collier back in March using a plain white envelope as the common denominator for our paintings. I had a great time with this subject -- one of the snails in my collection of vintage tin toys almost crawled off the shelf to volunteer its services!!

This week at Brush-Paper-Water...

Orange Iris, 30" x 22"
watercolor
Sally Bookman

Sally Bookman is well- known for her charming watercolors of local scenes -- street and harbor views, beach and cafe scenes -- whether in California or abroad. But she also excels at capturing the luscious quality of flowers, from views of a whole section of a garden to closeups of individual flowers. And she manages to fit all this into a life already full with her work as a realtor, raising her family, and volunteer activities.

Please jump over to Brush-Paper-Water to see more of Sally's work.

This week at Brush-Paper-Water...

Magnolia, 15" x 22"
watercolor
Fábio Cembranelli

When I first found Fábio Cembranelli's work, it was his lush impressionistic florals that grabbed my attention, but I later discovered that he's equally at home doing landscapes. He conveys the moods of his varied subjects with great skill and artistry and opens a delightful window on his world. We met about a year ago on Brushspace, a social networking site for artists, and he was one of the first artists I contacted when I started the showcase blog. It is my great pleasure to share his work with you.

Please link over to Brush-Paper-Water to see a few of his paintings and then be sure to visit his blog to see more. It's also well worth your time to jump to his website via the link in his blog and take a moment to look at Demonstration 1 for a step-by-step demonstration and explanation of his painting technique.

From the depths of the vault...

Starry Sky, handmade paper with inclusions, size unavailable

Back in the early 80s, I became fascinated with handmade paper. I spent my summer vacation that year taking a papermaking workshop at Sievers School of Fiber Arts on Washington Island -- just off the tip of Door County in Wisconsin. The instructor that year was Gisela Moyer, who had just received her Fine Arts Degree in papermaking. She went on to a successful gallery career, including ownership of her own gallery, before switching to outdoor festival sales about 10 years ago.

Just this weekend, I stumbled across slides of some of the pieces I produced that year. I've lost track of Starry Sky, but Lakeshore Dunes still hangs in my parents' home.

Lakeshore Dunes, layered handmade paper, approx. 8" x 10"

For these workshop projects, the emphasis was on creativity, not archival materials. As you can see, there is discoloration in the final works, particularly in the layered piece -- in part from the raw materials and in part from casting the paper onto hardboard covered with muslin. That permitted the production of pieces with some depth and also resulted in rapid drying times so we could get quick feedback and inspiration for additional works.

I later began a series using watercolor dyes to tint the pulp and create more colorful finished pieces. Unfortunately, the dyes available at that time were fugitive, so any works that were framed and displayed have faded almost to invisibility. I know I have a stash of unframed works, but their whereabouts are a bit of a mystery right now. I'll take a few pix and post them if I manage to unearth them.

Hanging in there...

This lovely begonia caught my eye at the local garden center several summers ago and insisted on coming home with me. It graced our front porch with its lush foliage and gorgeous flowers until the late autumn, when it deteriorated to a few mushy stumps and Señor Terremoto carried it off and dumped it upside down on a spot of bare soil behind the garage.

Now we do have mild winters here, but it does get below freezing at night for a few weeks every year. So it was with astonishment that Señor Terremoto reported one day in late spring that the begonia had new growth curling up from the underside of the lump of potting soil. He left it in place that summer and it developed into a fairly normal plant before it died back in the fall. The next spring, when new growth appeared -- now from the center of the lump -- Señor Terremoto planted it in a proper hanging basket. It was a satisfactory addition to the front porch, but nothing like its original self. When it died back last fall, he left it in the pot, watered it now and again over the winter, and we were rewarded with the extravagant beauty you see here.

Right now, I'm feeling a little like that begonia during its first winter. I've been going through some difficult times -- my dad is unhappily installed in a nursing home back in Wisconsin, in slowly declining health, and there are some family issues that make it even more stressful. My creative energy is in here somewhere, struggling to find a way back so it can flourish and bloom again. I haven't been very productive this summer, but with the support and encouragement of my friends, I'm trying to get into the studio to paint more often. Please bear with me.

This week at Brush-Paper-Water...

Firm Foundation, 17" x 15"
watercolor
Andy Smith

Andy Smith fits more into a day than most people do. He coaches track, gets in a decent length bicycle ride, takes time to visit his elderly mother, and still produces at least one small painting nearly every weekday which he presents on his blog with a charming little anecdote or comment about its subject's appeal to him. Weekends, he's often at an art festival, an activity that, in addition to the public festival hours, often involves significant travel time as well as hours to set up and take down a booth display.

He also paints the larger works which are featured on the showcase this week. Andy's work is evocative of a simpler time – old stone buildings, sparely-furnished rooms, old cabinetry, antique stoneware and apothecary bottles – and his skillful use of strong light and rich colors make his subjects spring to life.

Please pop over to Brush-Paper-Water for a look at some of Andy's work.

All in a day's work...

We're all about Macs and Firefox here at the home I share with Señor Terremoto. So it was a big surprise to us last week when he brought home a PC laptop that he has to use for work now (thanks to bureaucrats in suits and ties) and discovered that, running on Internet Explorer, it made a hash of some of the features on my website. After some sleuthing around, we decided that the solution might be to upgrade to the new version of iWeb. We trekked to the local Apple store this weekend, where we had to buy the complete iLife software package, then came home and installed it, having been assured by the sales guy that it would act only as a minor upgrade.

Not. Exactly.

I spent hours revising my website on Sunday evening, only to discover when I uploaded to my local host that the new software changed the appearance of the site. The art looked totally washed out, and as an extra little treat, the new iWeb also changed the sizes of some of the fonts so text no longer fit into the spaces allotted. I have to admit there was some wailing and gnashing of teeth here in the casa de Terremoto. The only saving grace was that I hadn't uploaded the new stuff to my web server.

Sooo -- back to the Apple store this morning. After much comparing of the iWeb files to the published website (which was identical when I was using the original software), they finally agreed to refund my money. We came home and restored my software to its original state and I've spent the rest of today re-revising my website. It's good to go now and you're welcome to take a peek.