More connections...

In my last post, I introduced you to a few new friends from Brushspace. Today, Terry Rafferty was kind enough to feature me on her "Monday Memo" -- a new regular feature on her blog. Thanks so much, Terry!! Please pay her a visit.

Among the other artists I've met on Brushspace in the past few days, Miro Sinovcic stands out for some eye-popping urban scenes. His painting style conveys a sense of shimmering light that infuses each scene with great energy. Do check out his blog!

Take a few minutes to travel around the globe visiting a few more Brushspace artists: Per-Inge Isheden, moving between realism and surrealism, produces works that challenge our complacency as viewers. Larry Brooks, in addition to his fine traditional still-lifes, has a series of "curbside" paintings that blur the line between realism and abstraction. Look closely to see all the details he's incorporated into those images. Joanne Licsko creates oil paintings infused with rich color, but that seem nearly as translucent as watercolors. Jason de Graaf's highly polished realism will wow you with its technical brilliance and intriguing use of subject matter. And last but not least in this list, is Rob Evans, whose apparently commonplace subjects contain an air of mystery and almost otherworldliness.

Enjoy the trip!!

New connections...

I've been meaning to post for weeks and somehow running out of steam before getting to it. Tonight's post is my first post in almost a month and lots has happened in the meanwhile. For one thing, I discovered BrushSpace, thanks to a tip from Jeff Hayes. A new networking site specifically for artists, it's mushroomed from about 200 members when I signed on about three weeks ago to well over 900 today. I've met a bunch of artists through the site and will tell you a little about them in a minute.

First, though, I want to say a big thanks to Jennifer Phillips, who's inspired me to try oil pastels. I don't have anything I want to share quite yet, but I think it's going to be a good fit for me. Jen has a fun blog, with a cool video lesson on framing an oil pastel. Through Jen's blog, I found Wakar over at Lightfast, with her wonderful discourses on art and life. I owe Wakar a big thanks for reminding me to see the Women Impressionists exhibit in San Francisco. It was excellent and surprising -- new to me is Marie Bracquemond, who outshines the other three women in the exhibit to my eye. I particularly liked a small black and white drawing of hers of a crowd with umbrellas descending a broad outdoor stairway in the rain. It is included in the exhibition book, but the reproduction loses all the depth and power of the original.

Back at Brushspace, I found (or more accurately was found by) Linda Lucas Hardy, whose colored pencil works are phenomenal. She's recently switched to oils, and they're just as amazing. I've also been amazed by the watercolors of Pablo Villicana Lara, who's almost a neighbor in this land of commuters. Pablo will be having a solo show in October and I'm hoping to get over to see it. Diane Hoeptner has a quirky sense for iconic images -- check out her Pinocchio and Yoda paintings!! -- and wonderful brushwork. Her floral work is equally appealing. Just today, I connected with Terry Rafferty. I love her paintings titled "Things you can..." -- so far she has buttons as things you can lose, and eggshells as things you can stack. I hope she has a few more of these fun ideas waiting in the wings. I found Otto Lange, whose blog is a fun read and whose website gets my vote for its excellent graphic design. His paintings and drawings cover territory from whimsical to edgy. Lastly, check out J.H. Lukens on Brushspace for some astonishing portraits and intriguing cityscapes.

Well, although I started this post at a reasonable hour, it's insanely late now and time for me to close. Hope you enjoy meeting all my new friends.

Living proof...

Several good things have happened since I submitted my resignation from the gallery a few weeks ago. I got yet another show acceptance -- this time to Watercolor West, based in Los Angeles and the west coast counterpart to the Transparent Watercolor Society of America. I earned signature status in TWSA about 5 years ago and have been working toward the same in WW. This show marks my third acceptance which is one of the requirements for the signature. So I'm basking in the good feelings that come with this success. The painting that was accepted is one you've seen on this blog already, but here it is again:

"Heirlooms"
10" x 10"
transparent watercolor

Second, I've had feedback from a couple of other bloggers and just feel great about being connected. I've had Jeff Hayes on my blog roll for a while now, but I haven't had the opportunity to chat with him until recently. Thanks, Jeff, for the technical help as well as the encouragement on my art. (Be sure to check out both of his blogs.) I also heard from Jennifer Phillips today. I didn't have time to take more than a brief look at her website and blog, but I like her work and her writing too. I'll definitely stop back for a longer look.

And last, I sold a painting off my website a couple of weeks ago and tried Paypal's invoice setup for the first time. I couldn't be more pleased -- it was easy to use and my buyer had the choice of paying with either a credit card or a debit card without signing up for Paypal. Plus, she didn't have to reveal her financial data to me and I didn't have to worry about keeping information like that secure. Now I'm looking forward to trying their virtual terminal when I do Open Studios next spring. One of my big concerns with leaving the gallery was the loss of credit card processing. I don't have enough sales volume right now to support my own credit card account, but Paypal will let me sidestep that. Loud cheers all around!!!!

When the handwriting on the wall...

starts to glow in the dark, you know you'd better pay attention. A number of marketing projects that I've tried in the last couple of months were beset with difficulties. The co-op gallery I've been in for the last two years recently adopted some policy changes that make it a poor fit for me. And I've been so preoccupied with gallery matters that I haven't been producing enough work for the show circuit, which had been an important part of my artistic life.

So this week, I made the decision to leave the gallery at the end of September and focus on show quality painting. I had two acceptances this past week that boosted my confidence and I have ideas spilling out of my head for new paintings.

The first show I heard from was the Catharine Lorillard Wolfe Art Club 112th Annual Exhibition. This painting was selected:

"Out of Service: Old Plow"
20" x 15"
watercolor

Second, I heard from The Artist's Magazine that two of the pieces I submitted to the 2008 Annual Competition were selected as finalists in the Landscape division. "Old Plow" was one, and the other was:

"Moonlit Cactus"
16" x 16"
watercolor

I couldn't be more jazzed. To top it all off, my website is starting to generate interest from collectors. It's a good time to be alive!! And now if you'll excuse me, I'm going to work on a painting for a group show that we're hanging this weekend at the gallery

Rare Bird...

"Peck-peck"
6" x 6"
acrylic on gallery-wrap canvas

I had so much fun painting this one! There's just something kind of sassy about this little bird. The bright colors and the fun, cartoony shape go so well together. To top it off, this toy is just plain fun to watch in action. It's very basic, but the hopping and pecking just make me giggle. I have to confess I'm a total eBay addict at this point -- trolling for cute tin toys and silly salt shakers almost daily. It's gotten so a lot of the offerings are sadly predictable, but every once in a while, something like this jumps off the screen. Delightful. Click here to go to the auction and a chance to place your bid.

One more time now...

Been dining on humble pie lately. I had a large serving courtesy of eBay. My first auction ended without a single bid, and I finally had to admit that perhaps I didn't do quite enough research into the finer points of writing a listing title. I've relisted the little snail painting with some revisions to the wording and will be running the auction for 10 additional days. Click here to go to the auction for a chance to place a bid on this cutie:

"Zoom-zoom"
6" x 6"
acrylic on gallery-wrap canvas

The other helping of humble pie came from CafePress. You may recall that I ordered a pair of tote bags printed with two of my recent duck/bird images. Due to some faulty advice, I ended up with very sad, washed out images. But CafePress stood behind their guarantee and I uploaded a new, darker image with the promise of speedy turnaround. The package never arrived. Back to CafePress again where the customer service rep ordered up a reprint. Two days later, I had a second sample set -- of the original faded images!! Aargh!! They printed the wrong file. Once more, CafePress stood behind their guarantee and ordered a duplicate printing of the darker files. Even speedier delivery this time. Alas, the darker files were TOO DARK, and it also became clear that primary colors are much more successful than some of the funky purples and oranges that I like to use. So it's back to Photoshop to see if I can tweak the duck image to print nicely. And just maybe one of the other primary color bird images will print well too. I have to try one more time....

I'm planning to post another painting Friday afternoon. Check back later in the day.

"Zoom-zoom"

6" x 6"
acrylic on gallery-wrap canvas

I'm thrilled to have my first auction underway. This little vintage toy snail was itself an eBay auction purchase. I love the patterned shell and the little wheels and I'm sure it goes faster than any snail known to nature. (A note about the image: my scanner is so sensitive that it picked up the minor variations in the weave of the canvas, giving the wee beastie a rather streaky look. That's not visible when you view the actual painting.)

Click here to go to the auction page.

Almost there...

Hang on just a few more seconds. I've got the auction listing all ready to go, but it seems absurd to have it end at 11:15 p.m. some days from now. So I've saved it and will post sometime tomorrow. Look for this little guy at auction, starting tomorrow:

Zoom-zoom
6" x 6"
acrylic on gallery-wrap canvas

As for the CafePress tote bags: when I was setting up the print files, the online preview image was very dark. I spoke with a customer service rep who told me to adjust the image file until it appeared right on the screen. Sadly, when the bags arrived on Monday, they looked like they'd been through 20 laundry cycles -- the images were so faded and blah. A call back to customer service revealed that instead of telling me to lighten up my print files, the first rep should have reassured me that the actual prints would be MUCH LIGHTER than the online preview. In fact, she probably should have told me to darken up my files. Fortunately, CafePress has a fantastic customer service program and I'll have new bags by week's end, no charge. As soon as I see how they've turned out with my revised print files, I'll either be opening my shop doors or crying in a beer.

Has it been almost a month?

Dear Readers, my apologies. I got myself so exhausted in the preparations for my shows in May that I was a near-zombie for much of June. But I wasn't a complete blob. I did manage to massage my website into the form I'd envisioned at the start and I've ordered some sample tote bags from CafePress, which should arrive tomorrow. If they look as good in real life as they did on the website preview, I'll open my shop and put them up for sale right away. And you'll be the first to know!!

I've also been trying to "educatize" myself about the rules and protocols for selling on eBay. There have been moments when I feel like I'm caught in one of those endlessly regressive mirror images. The first page of a tutorial will have several links to other critical information pages. Each one of those pages will in turn have links to other critical information pages. Each one of those pages will in turn have links to other critical information pages. By the time I reach the last link in the chain, I have completely lost track of what I started out to learn. My friends, this is information overload at its finest. But I am very close to being ready to put my first little painting up for sale. I'm hoping to have a post either tomorrow or Tuesday with a link to my first eBay auction. Stay tuned.

Meanwhile, I've just started on a painting for a group show at the gallery. I'm really excited about it and will share it with you when I have something other than a few pencil lines on my watercolor paper. I've also got a couple of new-to-me vintage ceramic critters that are just begging to model for their portraits. So off we go...

Patience, my pretties...

Early readers of this blog may recall my near-death struggles with Feedburner. Their use of somewhat non-standard English didn't always help. However, I had to admire the silliness involved in creating the word "troubleshootize" to complete the sequence of operations Feedburner provides for blogs: "analyze, optimize, publicize, monetize, and (of course) troubleshootize."

I promised I'd start posting my 6x6 paintings for auction in a few weeks. That's still the plan. I've set up the Paypal part, but when I started to read about setting up an auction, I soon found myself in a veritable maze of information, much of it labelled "Must reads for newbies" or words to that effect. So as soon as I "educatize" myself in the ways of eBay, I'll be online with some art. Please hang in there.

I'm planning to put my acrylic on canvas paintings up for auction initially, but I may follow that with some small watercolors. Here's a prime candidate:

Cockamamie Cockatoo
6" x 6"
watercolor on Winsor Newton 140 lb. cold-pressed paper

Señor Terremoto and I are off on a little road trip for a few days, but I plan to go into high gear when we get back. Plans are in the works for some CafePress goodies too -- you'll be able to go green with canvas bags that feature vintage tin toys and other delights.