Arabesque
watercolor, 9" x 10.5"
Chris Beck
Now that the January/February 2014 issue of The Artist's Magazine has reached subscribers and is in bookstores, I can share the paintings I created for my guest column on masking fluid.
The article features expanded steps in the creation of both Arabesque
and Pelican Dreams as well as several other illustrations to help you
make the most of masking fluid, regardless of your choice of subject
matter. If you aren't a subscriber or don't have easy access to a shop that carries the magazine, you can order a paper or digital copy by
clicking here or going to the link in the sidebar.
The addition of gouache (pronounced "gwash" -- opaque watercolor -- for more info, check out this page on the Daniel Smith website)
to your watercolorist's bag of tricks opens up possibilities for
surface embellishment and the use of lighter colors on top of a dark
base of transparent watercolor. In Pelican Dreams, I spattered gouache on the background both to tone it down and add visual complexity. Gouache would be off-limits in certain
national exhibitions that require transparency, but there is a long
history of using gouache, sometimes referred to as bodycolor, to add
highlights and depth to a painting.
Pelican Dreams
watercolor and gouache, 8" x 6"
Chris Beck
Schnozz made his debut here about a month ago, and is just back for an encore visit. He's painted strictly with transparent watercolor.
Schnozz
watercolor, 6" x 6"
Chris Beck
In other news -- I'm sorry to report that I have closed my Zazzle shop. I discovered quite by accident that they had disabled the design controls I put on my mugs and stamps and allowed buyers to apply the images to different products in the same category. That meant the images were being distorted to fit shapes they were never intended to be displayed on. After going around and around with customer service, I learned there was no option except to re-post every item and reset the controls. And since Zazzle has periodically made other changes that required me to repost some of my products, I have no guarantee that they wouldn't disable my controls again. I cannot constantly monitor something that was supposed to be a fun, no-hassle way to share my work.
Loved the article, Chris, and now I have some new ideas for creating unique art.
ReplyDeleteThanks, Mary -- I'm glad you found it interesting and inspiring -- that was my goal!!
DeleteDear Chris - received my copy of the Artist's Magazine and thrilled to see your lovely art work inside. Spent some time last evening reading about using mask and your insightful tips. Take care and have a lovely day.
ReplyDeleteThanks, Debbie -- so pleased you liked the article and were delighted with the paintings!!
DeleteCongrats on the article, Chris! And sorry about Zazzle! Don't ya wish they'd leave a good thing alone!???
ReplyDeleteBlessings!
Thanks, CC!!
DeleteCongrats Chris - you rock! So glad you and your work are being recognized in this way. Can't wait to read your article.
ReplyDeleteThanks, Deb!! Hope you enjoy the article!!
DeleteHi Chris!
ReplyDeleteI picked up the Jan-Feb 2014 issue of Artist's Magazine on the Newstand so I could read your article! Very nice! The paintings you did for it are really wonderful! My favorite is "Arabesque"! Will this article, "Brushing Up" be a regular? I sure hope so!
Thanks, Kittie!! Glad you liked the article and the paintings too!! Brushing Up is a regular feature, but I was invited to write just this one column. I'd love to do more, so am hoping they'll invite me sometime again.
Delete