New connections...

I've been meaning to post for weeks and somehow running out of steam before getting to it. Tonight's post is my first post in almost a month and lots has happened in the meanwhile. For one thing, I discovered BrushSpace, thanks to a tip from Jeff Hayes. A new networking site specifically for artists, it's mushroomed from about 200 members when I signed on about three weeks ago to well over 900 today. I've met a bunch of artists through the site and will tell you a little about them in a minute.

First, though, I want to say a big thanks to Jennifer Phillips, who's inspired me to try oil pastels. I don't have anything I want to share quite yet, but I think it's going to be a good fit for me. Jen has a fun blog, with a cool video lesson on framing an oil pastel. Through Jen's blog, I found Wakar over at Lightfast, with her wonderful discourses on art and life. I owe Wakar a big thanks for reminding me to see the Women Impressionists exhibit in San Francisco. It was excellent and surprising -- new to me is Marie Bracquemond, who outshines the other three women in the exhibit to my eye. I particularly liked a small black and white drawing of hers of a crowd with umbrellas descending a broad outdoor stairway in the rain. It is included in the exhibition book, but the reproduction loses all the depth and power of the original.

Back at Brushspace, I found (or more accurately was found by) Linda Lucas Hardy, whose colored pencil works are phenomenal. She's recently switched to oils, and they're just as amazing. I've also been amazed by the watercolors of Pablo Villicana Lara, who's almost a neighbor in this land of commuters. Pablo will be having a solo show in October and I'm hoping to get over to see it. Diane Hoeptner has a quirky sense for iconic images -- check out her Pinocchio and Yoda paintings!! -- and wonderful brushwork. Her floral work is equally appealing. Just today, I connected with Terry Rafferty. I love her paintings titled "Things you can..." -- so far she has buttons as things you can lose, and eggshells as things you can stack. I hope she has a few more of these fun ideas waiting in the wings. I found Otto Lange, whose blog is a fun read and whose website gets my vote for its excellent graphic design. His paintings and drawings cover territory from whimsical to edgy. Lastly, check out J.H. Lukens on Brushspace for some astonishing portraits and intriguing cityscapes.

Well, although I started this post at a reasonable hour, it's insanely late now and time for me to close. Hope you enjoy meeting all my new friends.

Living proof...

Several good things have happened since I submitted my resignation from the gallery a few weeks ago. I got yet another show acceptance -- this time to Watercolor West, based in Los Angeles and the west coast counterpart to the Transparent Watercolor Society of America. I earned signature status in TWSA about 5 years ago and have been working toward the same in WW. This show marks my third acceptance which is one of the requirements for the signature. So I'm basking in the good feelings that come with this success. The painting that was accepted is one you've seen on this blog already, but here it is again:

"Heirlooms"
10" x 10"
transparent watercolor

Second, I've had feedback from a couple of other bloggers and just feel great about being connected. I've had Jeff Hayes on my blog roll for a while now, but I haven't had the opportunity to chat with him until recently. Thanks, Jeff, for the technical help as well as the encouragement on my art. (Be sure to check out both of his blogs.) I also heard from Jennifer Phillips today. I didn't have time to take more than a brief look at her website and blog, but I like her work and her writing too. I'll definitely stop back for a longer look.

And last, I sold a painting off my website a couple of weeks ago and tried Paypal's invoice setup for the first time. I couldn't be more pleased -- it was easy to use and my buyer had the choice of paying with either a credit card or a debit card without signing up for Paypal. Plus, she didn't have to reveal her financial data to me and I didn't have to worry about keeping information like that secure. Now I'm looking forward to trying their virtual terminal when I do Open Studios next spring. One of my big concerns with leaving the gallery was the loss of credit card processing. I don't have enough sales volume right now to support my own credit card account, but Paypal will let me sidestep that. Loud cheers all around!!!!